Lecture Program & Film Reviews: Lecture #3 Structural Theories & Storytelling
Structural Theories and Storytelling
This seminar focused on the structures within narrative, especially film. Syd Field was a screenwriter who created a framework called '1-2-1', which orders a narrative structure into a formulaic paradigm. This can be seen in the images below. Within this framework, a film can be deconstructed into Acts:
Act 1
Exposition - The introduction to the film’s
main character(s), dramatic
premise, & situation.
Inciting Incident - A complication or incident that
sets events in motion.
Plot Point 1 - An event in which a character
takes on the central problem.
Act 2
Obstacles - The main character faces
increasingly intense & complex
problems / obstacles.
First Culmination - Half way through the hero is
achieving his goal but everything
falls apart.
Mid Point - The main character faces
increasingly intense & complex
problems / obstacles.
Plot Point 2 - Linked to plot point 1 but
demonstrates reversal. A change of
direction.
Climax - The maximum tension point of the
story, the hero confronts the major
obstacle.
Act 3
Denouement 1:
Third Act Twist - A character is not dead after all? – The Villain has one last attack.
Denouement 2:
The Resolution - A calmer part of the story
followed by the resolution of all
the plot strands.
The Three Act Structure In Gravity
Gravity is a prime example of a linear film using the 1-2-1 paradigm to create an arc plot that rises and falls throughout the film. Gravity is a disaster movie, using its structure to create high levels of tension and relief. Our protagonist is motivated by a 'ticking clock' plot, mounting the pressure onto the story. As an audience, we feel compelled to stress for Ryan, the protagonist, as she tries to return to earth. Looming dangers, such as the recurring debris circling the earth, keep the characters and audiences on their toes. In the images above, I demonstrate how the three act structure can be used to break down the story of Gravity.
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